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Trombones at The University of Maryland at College Park

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I know that many of you are contemplating which colleges, conservatories and universities you will apply for in the next few months and I am writing to put in a plug for The University of Maryland at College Park.

The deadline is just around the corner for undergraduate applications to the University of Maryland School of Music: November 1, 2009 is the deadline for mailing in an undergraduate application and December 1, 2009 is the deadline for graduate applications.

Of immediate interest is a University of Maryland Trombone Studio Recital, featuring faculty, current students and alumni of The University of Maryland. The recital will take place on Tuesday, November 3, 2009 at 8:00 PM in Gildenhorn Recital Hall on the campus of The University of Maryland. Here is a link to the event:

http://claricesmithcenter.umd.edu/2009/c/performances/performance?rowid=9961

I should note that there are several openings in the studio for Fall 2010 admittance. We have particular need for undergraduate trombonists, both tenor and bass. I encourage all who are interested in The University of Maryland School of Music at College Park to contact the admissions department
as soon as possible to stay within the posted deadlines. You can contact them here:

Office of Admissions
UM School of Music
2110 Clarice Smith Center
College Park, MD 20742
Email: musicadmissions@umd.edu
Phone: 301-405-8435
Fax: 301-314-7966

The University of Maryland School of Music trombone faculty consists of:

-Matthew Guilford: Bass trombonist with the National Symphony Orchestra and Associate Artist in Residence at the University of Maryland School of Music:

-Christopher Dudley: Principal trombonist with the Baltimore Symphony and University of Maryland faculty member

-Craig Mulcahy: National Symphony trombonist and University of Maryland faculty member.

Each trombone faculty member brings to the music program at UMD unique skills and experiences. Though trombone students attending UMD are assigned one instructor, the three of us work together in many ways to assure that the students are being exposed to as many musical experiences as possible. For example:

Each week Professor Guilford holds Performance/Studio Class. This is an opportunity for all the students, not just those of Professor Guilford, to participate in a forum, which can range from master class, to mock auditions, to discussion of any music related subject.

Professor Dudley leads the UMD Trombone Ensemble. All the trombone students in the School of Music get together to read and rehearse ensemble music and generally have fun being trombone players. In addition to reading quartets, quintets, sextets, octets and many transcriptions, the Trombone Ensemble also rehearses and discusses the trombone parts of many major orchestral works.

The University of Maryland brass department faculty is second to none. Stephen Dumaine, Principal tuba with the National Symphony Orchestra and Dr. Steven Kellner, former Principal euphonium with The United States Marine Band round out the low brass faculty. Trumpet faculty members are Chris Gekker, formerly of the American Brass Quintet, and Steve Hendrickson, Principal Trumpet of the National Symphony Orchestra. Greg Miller, who also performs with the famous Empire Brass, is the full time teacher of Horn.

The Wind & Percussion department schedules student recitals on a weekly basis. Five to ten students of all levels perform one short work for the entire departmental student body and faculty. This helps refine the special skill of recital preparation and gives the students a number of opportunities over their college careers to feel the excitement of solo performance.

Other performing ensembles on campus (admittance by “seating auditions” in the fall) include the University of Maryland Symphony Orchestra, University of Maryland Wind Orchestra, University of Maryland Wind Ensemble, Jazz Band(s), and Brass Chamber Music quintets coached by the faculty. Additionally, there is an Repertoire orchestra, Marching Band, and various pep bands open to all University of Maryland students.

The University of Maryland at College Park is located about 15 miles northeast of Washington D.C. Easily accessible by public transportation, many students regularly venture into Washington D.C. The Foggy Bottom metro stop, which will get you to the John F. Kennedy Center for the Performing Arts, home of the National Symphony Orchestra. Students also travel to Baltimore in order to hear the Baltimore Symphony Orchestra perform at Meyerhoff Hall. The Washington based U. S. Military Bands are located around the Washington DC/Annapolis area. There is no better way to hear great band concert repertoire and jazz—all for free. Additionally, some of our students audition for these groups, pass the rigorous audition, and are now earning a living as professionals

If you have any remaining questions or concerns about attending the University of Maryland at College park, I encourage you to write to me by email or leave a message on my blog.

My Favorite Section

Tomorrow night is the National Symphony Orchestra’s Season Opening Ball and Concert. This concert rings in the 78th year of the National Symphony, and my 19th year as its bass trombonist. My rudimentary mathematics indicate that sometime in 2010, I will have been the NSO’s bass trombone player for 25% of its existence. Whooppee! Maybe they will make a champagne toast to me at the Ball :-)

Everyone once in a while, I get to play with my favorite section. We all get along fabulously, are never out of tune with each other and are particularly handsome, if I may say. Here is a recent section photo:

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All kidding aside, there at least a handful of works in the mainstream orchestral repertoire which call for bass trombone only, such as:

Chopin: Piano Concerto #1 and #2
Strauss: Le Bourgeois Gentilhomme
Nielsen: Concerto for Flute and Orchestra

The NSO will perform Chopin’s Piano Concerto #2 with the amazing Yvgeny Kissin at this season opener, and I am pretty pumped to be the only trombonist onstage accompanying this great artist. Not to disparage my most excellent NSO trombone section colleagues, who are equally wonderful and almost as handsome :)

There is just something about being the only trombone player onstage with a full symphony orchestra which is simultaneously frightening and empowering. I had my first opportunity to play section solo while a student at New England Conservatory. One of the flute students, Ashildur Haraldsdottir, now a flutist with the Iceland Symphony Orchestra, had won the concerto competition with her performance of the Nielsen Flute Concerto. It was the one and only time I have every played this work :(

The next year, Doug Yeo was out sick when the Boston Symphony Orchestra was to play Strauss’ Le Bourgeois Gentilhomme under Edo DeWaardt. I got the call from the BSO personnel manager to come in and play that week for Doug, and it remains one of the musical highlights of my lifetime. That Strauss work is essentially chamber orchestra in size, and the bass trombone part is exposed at every turn. To share the stage with such BSO past greats as Harold Wright (clarinet), Sherm Walt (bassoon), Doriot Dwyer (flute), Al Genovese (oboe), Chuck Kavalovsky (horn) and Tim Morrison (trumpet) was a dream come true. Holding my own with them as a solo player gave me a real sense of legitimacy, and I believe it was the pure nakedness of the experience which made it so incredibly rewarding. A great, full section experience is fine as well, but this was extra special.

The bass trombone part to the Chopin Piano Concerto #2 is largely an extension of the the double bass part. In our configuration at the NSO, the basses line the back wall directly in back of me, so I get a tremendous wall of bass sound coming at me from a rockin’ bull fiddle section. On occasion the bass trombone plays with the the 2 trumpets and 2 horns, but mostly serves as projecting bass voice. Here is the part:

Chopin Piano Concerto #2 (1)

Chopin Piano Concerto #2 (2)

With any luck, I will have more chances in my career to play both the Strauss and the Nielsen again. Once is definitely not enough for these gems.